Biodun Okeowo Erupts Over Lizzy Anjorin's Lies About Her Children's Fathers
In the glittering yet treacherous world of Nollywood, actress Biodun Okeowo has unleashed a torrent of raw emotion, shattering illusions of friendship with fellow star Lizzy Anjorin. The conflict ignited when Biodun accidentally liked one of Lizzy's posts, sparking accusations of allegiance in their ongoing industry feud.
Biodun wasted no time in setting the record straight, her words laced with betrayal and defiance. Please I will not appreciate any “You owe nobody an explanation on this post. Sometimes speaking up is necessary! Let me make this very clear once, so nobody will pretend not to understand.
And if anyone pretends to and continues with the wrong narrative, then expect the wrath of God. She declared they have never been friends in real life, emphasizing her policy of cordiality without close bonds in the cutthroat movie industry. Biodun keeps her distance, staying neutral amid colleagues' battles, refusing to inherit enemies.
Yet beneath this poised exterior simmered deep hurt. Lizzy, Biodun revealed, feigned support while viciously spreading falsehoods—most painfully, claiming Biodun's children have different fathers. The curvy actress recounted their brief professional harmony: Lizzy once featured in Biodun's film Edidi Igbeyawo, shot in Akute.
No personal rift existed until Lizzy's clash with another colleague drew in an innocent child last year, prompting Biodun to withdraw completely. Biodun vehemently denied endorsing Lizzy's curses. Her likes on Lizzy's posts were mere social media courtesy—reciprocating comments on husbands or businesses—nothing more.
She detests negativity, avoiding fights and live videos alike. Choosing peace has always defined her path. Even when others urged silence, Biodun seethed inwardly as Lizzy's 'support' masked indirect attacks, summoning drags via a notorious blog and peddling lies about her family. My children are from the same father. They are both OKEOWO.
Biodun proclaimed this truth amid the storm, her silence born not of weakness but faith that justice would prevail. She appreciated Lizzy's belated birthday wish after days of delay, but the facade crumbled. What began as industry camaraderie exposed stark contrasts: public pretense versus private venom.
Now, Biodun drops the veil with finality: we are not friends, never been. We were colleagues. In Nollywood's emotional battlefield, this outburst lays bare the human cost of fame's fragile alliances.
